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Carole Carpenter on tour with Jane Austen

Carole Carpenter on tour with Jane Austen's 'The History of England' .......

Biography
I trained at Mountview after an MA at RADA / Kings College London. I started studying the piano and violin at the age of seven, I often work as an actor/musician and I also compose and arrange music. I’m currently touring my one woman show, playing Jane Austen in ‘The History of England’, which I first performed at the Mill Studio, Guildford last autumn.

My other stage work has included the actor/musician productions of ‘Grimms’ and ‘A Christmas Carol’ (Trafalgar Studios and New Wimbledon Studio), for which I also composed the original scores, ‘Look Back in Anger’ for the English Theatre of Slovenia and earlier this year ‘Sparrow Heights’ at Greenwich Playhouse, a very physical and rather surreal comedy set in WW2, which I co-wrote with the three other actors.

What first attracted you to the theatre?
According to my mum, it was probably watching ‘The Muppet Show’ as a toddler! Apparently I always got very excited at the sight of the theatre and the band on that programme. I first appeared on stage when I was five (at Harrogate Theatre) with my dad, and so I got hooked from a very early age.

If you could pick any one person or theatre company to work with on your next project, who/which would it be?
Hard question because there are lots of companies and theatres I would love to work for – to pick one example, the Watermill Theatre has produced a lot of really wonderful actor/musician shows and that’s an area of work which I particularly enjoy. I’d love to work for one of the few remaining rep companies too. I’d also love to do more comedy – writing and performing, as that’s something I have found hugely stimulating, but I’d have to find the right group of people to collaborate with.

What is your opinion of Off West End theatre, in general?
It’s a mixed bag, and that’s the wonderful thing – there’s a huge amount of variety and so much choice. Generally West End theatre has to be very commercially ‘safe’ and I enjoy seeing things which take more risks and aren’t trying to appeal to everyone, as that often means that a show ends up catering for the lowest common denominator. Off West End there are lots of ‘edgier’ shows, which won’t be for everyone, but will be right up some people’s street.

What was the most inspiring performance you have ever seen? Why?
Several years ago I saw a fabulous production of ‘Woyzeck’ by a physical theatre company called Theatre Melange. I went to see it because a friend was in it – it was touring and was on at the Bloomsbury Theatre, which is a huge space. It was incredibly powerful – really bleak and uncompromising but also very funny at times. I felt that the company had a very strong sense of ensemble and that allowed them to be very brave, and 100% committed to everything they did, both as individual performers and collectively. It made a big impact on me because the look and sound of the production were really strong – very minimal, not relying on a huge budget but powerfully evoking war. It was one of those shows that stands out in my memory.

What piece of work are you the most proud of?
It would probably be my current project, my one woman show, because it has drawn on all my resources, both as a performer and also in terms of organising the tour, liaising with managers and technicians at venues, making adjustments at each theatre as required. It is very demanding touring on my own but it has also been very rewarding. I was also very proud of ‘Sparrow Heights’ though, because I enjoyed creating a play from the very beginning – starting with just a few ideas and influences and going through a process of devising and writing, collaborating with three other very talented performers and a great director (Alistair Green, with whom I have worked several times). I would love to do more comedy in the future as I had a great time on this show.

What things in your personal life do you draw from when you perform?
It really depends on the play and the role what approach I take to the character and to what extent I draw on my own personal life. Generally a well-written play, appropriate research and the use of my imagination gives me most of what I need, but really emotional pieces (such as ‘Look Back in Anger’ which I was in last year) have sometimes led me to ‘borrow’ from myself more. That can be quite an exhausting experience though.

Who is the best actor/actress performing on Off West End today?
Incredibly difficult question – I have seen loads of people I really rate, and many of them are friends who I have seen in shows, so it would be really hard to start singling people out!

Musical, comedy or drama- what’s your preference to watch?
I see a lot of theatre (lots of things interest me and I love to go and support friends when they’re in shows) but I particularly enjoy seeing good comedy – new writing especially. It’s really exciting discovering something new and being able to recommend it to others. I’ve seen quite a few new comedy shows at the Etcetera recently – new groups of writers and performers starting out and producing some very funny stuff – it’s a good venue for that kind of thing and like Edinburgh is a good springboard for new talent, which is great.

Can you tell our readers about what you’re doing now/next?
I’m currently touring the country in my one woman show ‘The History of England’, playing Jane Austen. It’s a fun and fast-paced burlesque based on a short book written in 1791 when Jane was only sixteen, which has been adapted by actor/director Tim Heath to include live music, songs and even a battle recreation. Dates in and around London include the Mill Studio, Guildford on the 16th and 17th October (www.yvonnearnaud.co.uk), the British Library on Monday 19th October (at 6.30 pm, tickets are £6 – www.bl.uk) and Southside House, Wimbledon on Thursday 29th October (7.30 pm – www.southsidehouse.com).






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